Thursday, December 31, 2020

What Once Was - The 31st of December 1993

 

AN ÅS IN THE DEEP WOODS

A hatch stood open,
a rider appeared.
A cold mist had lain
upon the field.
Nine black horses
and nine armed men.
An eye stared furiously
down from a flag.

Silence fell,
as the company stopped,
They stopped in a circle
around the stone.
Silently they rode towards it,
and disappear when they arrived
For stones were a thought
filled with power.

Stars on a sky,
that never fall down.
Lightning in a night
that lasts forever.
A thousand cold winters,
with only chill and hatred.
There is no summer
without winter.

In an old forest,
where trolls and gnomes wandered,
There was a stone
that moved and came to life.
Nine armed men,
on nine grey proud horses,
Bore a flag upon
which the eye appeared.

Each night is a new darkness.
Each winter I freeze,
And yet never shall I cry,
For proud I did ride times behind

Out of the deep forest

Written for Darkthrone by Greifi Grishnackh 31/12/1993

 


 

 

IN A HALL WITH PORK AND MEAD

In an old ash hung a nosecold man.
Under a black sky from where the rain poured down.
None went thither to cut the corpse down,
For no one could know whereat the hanging took place.

Lonely man he was when he went to Allfather's place,
he arrived clothed in a body armour to a marvellous, grim palace.
A thousand year had passed since last man went thither,
They cried in a gloomy happiness when at last a son there came.

North of the trolly cape was a place of mist far down.
Rows of Norse sons wandered thither north and nie.
None in lack of grave and none in lack of sons,
For they went by fire and pestilence there to the beds of the coldhouse.

Only few of the guardian's children came to the rich row of their father,
For cunning deceit bore most of them far down.
Yet one can hear the song each heathen old feast
Aye! still the feasts are held among the faithful sons of Od.

 Written for Darkthrone by Greifi Grishnackh 31/12/1993

 

SEE ALSO:

 BLACK METAL - The Cult of Esoteric Heathendom

The Black Metal Voice of The Past

 

Friday, December 25, 2020

The Ghost Stories of Christmas Part II - Christopher Lee's Victorian Stories

 Christopher Lee reads the disturbing Victorian ghost stories
of writer MR James.


Horror legend Christopher Lee reads the disturbing Victorian ghost stories of writer M.R. James.   A century ago, it was James's habit to read one aloud by candlelight every Christmas Eve to a select group of students in his study at King's College, Cambridge. In this collection Lee tells the chilling tales "The Stalls of Barchester", "The Ash Tree", "Number 13" and "A Warning to the Curious".

You can listen the stories here:

 https://youtu.be/mMFWKbKP5KM

 

 

The Ghost Stories of Christmas Part I - From Macbeth to Christmas Carol

 

 

 "The ghost story, first as an oral tradition and later as a literary genre, remains among the most long-lived and flexible of narrative forms, proving as popular on the small screen as at the cinema, in the theatre or on the page. The supernatural was a regular feature of classical drama - ghosts are crucial to the dramatic development of Shakespeare's Hamlet and Macbeth for instance - but the ghost story only emerged as a distinct genre in the Victorian era, with its fascinations with spiritualism.
In 1843
Charles Dickens' A Christmas Carol forever tied the festive season to the genre." 

Sergio Angelini on screenonline.org.uk

 

 



Thursday, December 24, 2020

The Importance of Forest in European Religion

 

 


IN THE RELIGIOUS history of the Aryan race in Europe the worship of trees has played an important part. Nothing could be more natural. For at the dawn of history Europe was covered with immense primaeval forests, in which the scattered clearings must have appeared like islets in an ocean of green. Down to the first century before our era the Hercynian forest stretched eastward from the Rhine for a distance at once vast and unknown; Germans whom Caesar questioned had travelled for two months through it without reaching the end. Four centuries later it was visited by the Emperor Julian, and the solitude, the gloom, the silence of the forest appear to have made a deep impression on his sensitive nature. He declared that he knew nothing like it in the Roman empire. 

 


In our own country the wealds of Kent, Surrey, and Sussex are remnants of the great forest of Anderida, which once clothed the whole of the south-eastern portion of the island. Westward it seems to have stretched till it joined another forest that extended from Hampshire to Devon. In the reign of Henry II. the citizens of London still hunted the wild bull and the boar in the woods of Hampstead. Even under the later Plantagenets the royal forests were sixty-eight in number. In the forest of Arden it was said that down to modern times a squirrel might leap from tree to tree for nearly the whole length of Warwickshire. The excavation of ancient pile-villages in the valley of the Po has shown that long before the rise and probably the foundation of Rome the north of Italy was covered with dense woods of elms, chestnuts, and especially of oaks. Archaeology is here confirmed by history; for classical writers contain many references to Italian forests which have now disappeared. As late as the fourth century before our era Rome was divided from central Etruria by the dreaded Ciminian forest, which Livy compares to the woods of Germany. No merchant, if we may trust the Roman historian, had ever penetrated its pathless solitudes; and it was deemed a most daring feat when a Roman general, after sending two scouts to explore its intricacies, led his army into the forest and, making his way to a ridge of the wooded mountains, looked down on the rich Etrurian fields spread out below. 

 


In Greece beautiful woods of pine, oak, and other trees still linger on the slopes of the high Arcadian mountains, still adorn with their verdure the deep gorge through which the Ladon hurries to join the sacred Alpheus, and were still, down to a few years ago, mirrored in the dark blue waters of the lonely lake of Pheneus; but they are mere fragments of the forests which clothed great tracts in antiquity, and which at a more remote epoch may have spanned the Greek peninsula from sea to sea.    

 


From an examination of the Teutonic words for “temple” Grimm has made it probable that amongst the Germans the oldest sanctuaries were natural woods. However that may be, tree-worship is well attested for all the great European families of the Aryan stock. Amongst the Celts the oak-worship of the Druids is familiar to every one, and their old word for sanctuary seems to be identical in origin and meaning with the Latin nemus, a grove or woodland glade, which still survives in the name of Nemi. Sacred groves were common among the ancient Germans, and tree-worship is hardly extinct amongst their descendants at the present day. How serious that worship was in former times may be gathered from the ferocious penalty appointed by the old German laws for such as dared to peel the bark of a standing tree. The culprit’s navel was to be cut out and nailed to the part of the tree which he had peeled, and he was to be driven round and round the tree till all his guts were wound about its trunk. The intention of the punishment clearly was to replace the dead bark by a living substitute taken from the culprit; it was a life for a life, the life of a man for the life of a tree. At Upsala, the old religious capital of Sweden, there was a sacred grove in which every tree was regarded as divine.

 


The heathen Slavs worshipped trees ad groves. The Lithuanians were not converted to Christianity till towards the close of the fourteenth century, and amongst them at the date of their conversion the worship of trees was prominent. Some of them revered remarkable oaks and other great shady trees, from which they received oracular responses. Some maintained holy groves about their villages or houses, where even to break a twig would have been a sin. They thought that he who cut a bough in such a grove either died suddenly or was crippled in one of his limbs. 

 


Proofs of the prevalence of tree-worship in ancient Greece and Italy are abundant. In the sanctuary of Aesculapius at Cos, for example, it was forbidden to cut down the cypress-trees under a penalty of a thousand drachms. But nowhere, perhaps, in the ancient world was this antique form of religion better preserved than in the heart of the great metropolis itself. In the Forum, the busy centre of Roman life, the sacred fig-tree of Romulus was worshipped down to the days of the empire, and the withering of its trunk was enough to spread consternation through the city. Again, on the slope of the Palatine Hill grew a cornel-tree which was esteemed one of the most sacred objects in Rome. Whenever the tree appeared to a passer-by to be drooping, he set up a hue and cry which was echoed by the people in the street, and soon a crowd might be seen running helter-skelter from all sides with buckets of water, as if (says Plutarch) they were hastening to put out a fire.

 


Taken from:

Sir James George Frazer - The Golden Bough (1922)
Chapter: The Worship of Trees



Wednesday, December 23, 2020

Aristogenesis - The Exploration of Ancestral Origins

 

By
NORDISK RADIO

 "Aristogenesis will explore the origins of our Aryan ancestors and follow their course from primeval times up to the dawn of history. We will examine our forefather’s myths and traditions as well as their religiosity and their understanding of the cosmos. We will attempt to shed light on the inner forces and ideas that drove the Aryans into creating the most enlightened cultures throughout history. We will seek our ancestral heritage beyond the monuments, the wars and the well documented paths of history and examine arts, symbols, legends and traditions in order to understand the authentic soul and spirit of our bloodline.

Our goal with the podcast is to introduce our listeners to the primordial wisdom of our ancestors and rekindle their interest to explore and study Aryan philosophy and spirituality as well as to investigate the foundations and peculiarities of our forefather’s psyche. We wish to evoke/raise our ancestral knowledge from the barren fields of academic secularism to a living idea that will help us navigate our perilous times and rediscover our Aryan identity and potentiality.

The opposition we face bears countless masks and disguises as it distorts the Truth and poisons everything Noble. The history of our people is twisted and falsified, our ideals and morals are being reversed and scorned, our myths degraded and mocked, our traditions ossified into inanimate folklore. Ancestral knowledge and spirituality are cast away as anachronistic and irrelevant while our people are becoming enslaved under the bond of spiritual, intellectual and psychological confusion. The link to our people’s primordial psyche is being severed as the voice of our ancestors becomes enigmatic and incomprehensible.

With a mature and willing attityd we shall attempt to gain valuable knowledge when examining our own (and our ancestors) faults and responsibility to why we now find ourselves in this onslaught of opposition. The malicious and malefic intent to devour everything that is Noble i.e. the spirit of our time shall quicken our awakening process as we learn about our ancestral Aryan historical, culture, genetic and psychological primordial wisdom through out time.

Henry Fairfield Osborn, Sr. (August 8, 1857 – November 6, 1935) an American paleontologist and geologist and a believer in orthogenesis (i.e. evolutionary progress of mankind) coined the term aristogenesis.

Osborn held the view that mutations and natural selection play no creative role in evolution but believed that aristogenes (aristocratic genes) operate as biomechanisms in the gene plasma of the organism which creates the novelty of the Aryans.'

 LISTEN THE PODCAST HERE



 

 

 

Thursday, December 17, 2020

The Hellenic Wolf-God

 


Apollo the Wolf-God Monograph No. 8 — By Daniel E. Gerhenson
 

Daniel E. Gershensen uncovers a wide range of Apollo's links to wolves, wind-wolves, werewolves, and even to the ancient fraternities of human werewolves still remembered in parts of Europe into recent centuries. We read about the werewolf "army of the dead" that survived in Germanic folk lore as "the Wild Hunt," so faithfully recorded by the Brothers Grimm. Aristotle's Lyceum, or "wolf place", was so-named because it stood close to a temple dedicated to the wolf-god Apollo, who was also the god of knowledge. Even the English fairy tale about the Three Little Pigs, in which a wolf huff'd and puff'd to blow their houses down, is shown to be a survival from early beliefs about wind-wolves associated with Apollo in his capacity as a wind god.


"There is no doubt that the epithets of Apollo from the root lyk- are derived from the name of the wolf, and not from a root meaning "light"


 

Chapter titles in this revealing and well-documented study relate to:
 

Apollo and the Wolf;  

Evidence for the Wind Wolf;

 The Wolf-name in Toponymy; 

Heroes of Greek Myth who bear the Wolf-name or partake in its wider context;

 The Dolphin and the Wolf; 

The Wolf and Death; 

Werewolf-confraternities and wind evidence; 

The Stoic Explanation of the epithet Lykeios; 

The Trial of the werewolf named Old Thies, in 1691; Lykos and Lykeios

ISBN 0-941694-38-0

 

Source: Ancestral Europe

 

 

Friday, December 11, 2020

The Nordic Origins of Tolkien's Balrog

 

Tolkien's Balrog is based on Fire Ettins, described in Lokasenna stanza 42 as the sons of Muspell (fire) flying over Myrkvið (yes, Mirkwood, "The Dark Forest"). Even the name means "Fire Power" (Bál + Rök) in Norse.

Below: Surtr ("Black"), a Fire Ettin, wielding a flaming sword:

Lokasenna, 42:
Gulli keypta
léztu Gymis dóttur
ok seldir þitt svá sverð;
en er Múspells synir
ríða Myrkvið yfir,
veizt-a þú þá, vesall, hvé þú vegr.



In English:
You purchased
Gymir's daughter with gold,
and sold your sword:
when the sons of Muspell (fire)
ride over the dark forest (Mirkwood)
you, creep, don't know what to fight with.



Varg Vikernes - November 2020
Source : MyFaRog Twitter


SEE ALSO:
A Meeting of Giants
Tolkien's Middle Earth - A Historical Resemblance
Wolfhead, Tolkien and The Primal Fear of Man

 

Tuesday, December 8, 2020

David Irving's "True Himmler" Part I Book Is Out Now!

 

 "TWENTY years in the making, David Irving's biography of Heinrich Himmler, the man, is finally ready. In two parts, the first of which appears now, Irving describes from true documents the origins of Himmler, an educated man with a Classics teacher as his revered father, and his extraordinary career until the final dramatic hours of his life, raising an army of elite SS soldiers and men to stand for Germany and defend it against the secret Soviet plans to invade all of Europe in 1941. He becomes a most trusted ally of Adolf Hitler, and remains loyal to the end; when he hears of Hitler’s imminent death Himmler takes steps to contact the western Allies and offer them the assistance of the SS against the mighty Russian army. But the western capitals are by then powerless, sucked too far into the Soviet thrall.
 
Why twenty years? It has not been easy – or inexpensive – to retrieve the thousands of missing private papers, letters and diaries which vanished into unfriendly hands at the end. Mr Irving, already the finder of other secret records surrounding Hitler, identifies the current holders of scores of private letters – partly American, partly Israeli, their identities now oddly concealed by Germany newspaper editors and historians still wilting under the glare of the draconian Morgenthau Plan. (Mr Irving published a facsimile of the secret Plan from Oxford University archives). He uses secret British intercepts of SS messages, as well as Reinhard Heydrich’s papers and KGB files in Moscow archives.
 
The reputation of his young soldiers was systematically denigrated on the age-old principal Give a dog a bad name and hang him. Mr Irving’s suspicions, spelled out in the first and second part, are that Germany's enemies saw in the SS such a formidable enemy, and in Himmler such a formidable man, that they tracked him tracked down after the war ended, where his life was terminated; the very first chapter examines the circumstances of Himmler’s “suicide” more closely..." 
 
Available from FOCAL POINT PUBLICATIONS (Click on the name)

SEE ALSO:
David Irving's Himmler is Coming!



Saturday, December 5, 2020

The War of All Against All

 


 “The coming years will prove increasingly cynical and cruel. People will definitely not slip into oblivion while hugging each other. The final stages in the life of humanity will be marked by the monstrous war of all against all: the amount of suffering will be maximal.”

PENTTI LINKOLA - Can Life Prevail? 


Sunday, November 22, 2020

The Knight At the Crossroads

The Knight At The Crossroads (1878)
By
Victor Vasnetsov

    Viktor Vasnetsov's The Knight at the Crossroads, painted in various incarnations between 1878 and 1882 is a world of myth, legend, and nation-building iconography from the supreme Russian Symbolist painter. Vasnetsov featured prominently in the popular mindset of nineteenth century Russian visual culture, combining a fantastical thematic approach with the realist principles of the contemporary Peredvizhniki movement. One of his best known canvases, The Knight at the Crossroads is an imagined reproduction of the chivalrous warrior of medieval folklore literally caught solemn at the crossroads of his journey. Although not achieving critical acclaim, Vasnetsov's work remained prevalent through his illustrations of fairy tale compilations, and The Knight at the Crossroads is one such example of his populist creations. However, it was not until the mid-1880s that Vasnetsov, adopting a more religious approach to his choice of themes, would attract the attention of the famous collector Pavel Mikhailovich Tretyakov.

First produced to illustrate an edition of Kievan Rus' oral epic 'Ilya Muromets and Robbers', The Knight at the Crossroads, the artist produced this oil reproduction for the noted industrialist and patron of the arts, Savva Mamontov. Removing the winding road and hiding the face of the forlorn rider, this second version is suffused with a melancholic despair at the fate of the knight. The utter lack of choice ahead of the rider is made more bitter by the inscription on the milestone which reads: "If you go left, you will lose your horse. If you go right, you will lose your head". An imagined reproduction of the most famous of all the bogatyr knights, Vasnetsov's contemplative rendering of Ilya Muromets is staged like an actual historical event. Such was the emotional charge and popularity of such epics; for the Russian people they were as relevant as history itself.

Source: 1st-art-gallery.com


 Life and Bio of the artist: https://en.wikipedia.org/wiki/Viktor_Vasnetsov

 

 

    


Wednesday, November 11, 2020

Hymn to The Fallen of November 9th

 
 
You dead heroes
Never were you nearer to us —,
Reminder, call, prayer —
As now when the Grim Reaper
Stands before us.
Never were you so necessary to us.
Towers in the storm of care.
Never were you as alive to us.
We are as acquainted with you as we are with death.
We listen for the call. And we hear
In the night, when all is silent
Your voices. They warn, they swear:
Not only victories! The victory!
As our flags sink
God goes as the wind through the field.
All our thanks and thoughts
Become deed. 
 
 GERHARD SCHUMANN
-
Who Was Gerhard Schumann
SEE ALSO:

Tuesday, October 20, 2020

The Only Way Forward is Ragnarok

 


By Robert Furtkamp

“We are always convinced that the modern world is a reasonable world, basing our opinion on economic, political, and psychological factors. But if we may forget for a moment that we are living in the year of Our Lord 1936, and, laying aside our well-meaning, all-too-human reasonableness, may burden God or the gods with the responsibility for contemporary events instead of man, we would find Wotan quite suitable as a casual hypothesis.” – Carl Gustav Jung, “Essay on Wotan“

The European experiment of the post-war era has failed.   The jackals are well within the gates, not just at the door, invited in by the guilt-laden subjugated victims of the partitioning of the German dream, the castration of entire peoples by the treaties of 1918 and 1945, and the vicious division of the world by the ostensible victors of those conflicts. The once-proud traditions of a thousand years are cast aside for the edicts of overlords who have seized utter control.

It was not just the physical residents of that glorious continent that were overcome by the great failures of 1939, but the nations upon the earth peopled by the descendants of Europe who never forgot their heritage, their pride, their connection to that blood. The victories ostensibly “won” by the Allies have turned to dust in their mouths, as the same overlords that sought to destroy the bounty of Europe did not let the fruits of its children anywhere on the earth free from their corruption and infiltration.  

And the seeds for this silent takeover, the dismantling of the glories of thousands of years, were planted by one simple method: the creation of “universalist” religions, in which the gods of a people were thrown aside by hook, crook, pressure, intermarriage, and indoctrination.

Yet that which is eternal, true, and tied to our blood, our culture, our heritage, is never silent long.


And as noted by Jung, Wotan was stirred by the abasement of his people, the stirrings of waking set in motion even if not completed.   And as Europe’s children are threatened today evermore, its fruit not merely plundered but irrevocably destroyed by the invaders, this waking has resumed and accelerated.

Our way forward is back, and that begins with a spiritual renaissance that is apparent on the fringes of our culture now.   Popular culture remembers the gods, even if it is debased. Worship of the old ways, best as can be remembered for now, resumes and is reconstructed and re-found. His adherents climb mountains, gather to share gifts, and strengthen what is coming.

Our way forward will not be in modern atheism, nor universalist religions.    It will take the combined awakening of the blood to find that way again – for what we have lost is much, the damage great – but our volk are builders, creators, restorers. It begins with a spiritual component.  Our spiritual component, free of the shackles of the desert plagues that have enslaved spirits for so long.

Rise up and be free. Rise up and worship.   Rise up and listen to the call of that blood.   Ragnarok awaits, and our time is at hand.

For much shall be destroyed, but our volk will survive, prosper, and take their rightful place amongst the stars.

That which comes, the political component thereof, will be based on that blood, soil, and heritage. The spirit of Wotan, of the ghosts of the last century, guides even as the gods stir within us. Even as the world-soul re-asserts its dominion. There is no political solution without a religious component, one based in the religion of our ancestors and of our blood, of our heritage.There is no government of our volk that is possible without a common bond, no common interest without that bond of blood.


Taken from: The Revolutionary Conservative

 

Monday, September 7, 2020

Sunday, August 30, 2020

The Wagnerian Influences on Klaus Schulze



Klaus Schulze is one of the most prominent figures of German Electronic Music.
For years he used the alias "Richard Wahnfried" ( "Richard" by Wagner's name and "Wahnfried" by Wagner's Villa in Beyreuth).

The following statement in taken from the liner notes of his TIMEWIND album released in 1975.

"Timewind was my fifth records and the first one with a clear reference to my Bayreuth hero Richard Wagner, which can be seen by looking at the titles. These songs were classic home recordings, albeit rather primitive ones. In Berlin I lived in the...I could have almost said "Bayreuth Street"! It was Swabian Street and I lived in a former barbershop at the time"


Here is the full TIMEWIND album:

Track list:
I. Bayreuth Return
II. Wahnfried 1883


"In this tribute to Richard Wagner, Klaus Schulze demonstrates that electronic music can be far more than the cold clinical sounds usually associated with the genre"
TROUSER PRESS/USA , November 1977

SEE ALSO:



Sunday, August 16, 2020

The Philosophy of Nietzsche - An Antidote against Modern Europe






"As far as Europe is Christian, it is (in the ethical and spiritual sense) Jewish;
as far as Europe is moral, it is Jewish. Almost all European ethics are rooted in Judaism. All champions of religious or irreligious Christian morality, from Augustine to Rousseau, Kant and Tolstoy, were Jews by choice in the spiritual sense; Nietzsche is the only non-Jewish, the only pagan ethicist in Europe. The most prominent and the foremost proponents of Christian ideas which are present in its modern reincarnation are pacifism and socialism, and these are Jewish."

Richard Coudenhove Kalergi, Praktischer Idealismus, 1925.


 SEE ALSO:

Sunday, August 2, 2020

The Year Without a Summer, Famine and a Writter's Contest




 
In the shadow of the recent covid19 lockdowns,  house restrictions and world pandemic its intresting to see how famous writters of the past reacted to more or less similar situations. The result was the creation of marvelous novels, poems and stories.



"The extraordinary worldwide meteorological events of 1816 resulted in that year being christened the "year without a summer". A close succesion of major volcanic eruption occured across the globe from 1811-1814. This series was then capped by the 1815 eruption of Mount Tambora in the Dutch East Indies - The largest known eruption in over 1,300 years. Occuring during the middle of the Dalton Minumum ( a period of unusual low solar activity), it added to an existing cooling trend that had been periodically ongoing since 1350. The summer of 1816 saw average global temperatures by 0.4 - 0.7 celsius (0.07 - 1.3 F), resulting in major food shortages across the Northern Hemisphere and the worst famine of the 19th century in many other parts of the world. In July the incessant rainfall of an unusually cold, wet summer obliges Mary Shelley, her husband Percy Bysshe Shelley, Lord Byron, John William Polidori, and other friends to remain indoors for the balance of their Swiss holiday. As a form of entertainment they conducted a contest to see who could write the scariest story, leading Mary Shelley to write the novel Frankenstein and Lord Byron to write the short story "Fragment of a Novel." In addition, Lord Byron also wrote a poem, "Darkness," at the same time. Polidori would later use Byron's "Fragment" as the basis for his tale The Vampyre (1819), which was the first vampire story in the English Language."

Taken from James Pontolillo's THE BLACK SUN UNVEILED book (Chapter: Mary Shelley and the Black Sun 1826
SEE ALSO:

Sunday, July 5, 2020

Strength of Faith and The Holy Worldview





The National Socialist movement is a movement of faith in the deepest sense of the word. The strength of its faith brought it from humble beginnings to the dominant force in the Reich. There was good reason to name the first party rally after the takeover of power the “victory of faith.” Behind every flag, every badge, every symbol of the movement is the faith of him who bears it, who first had to bear the flag, the badge or the symbol through historic struggle to victory. In this holy worldview, which anchors the flags, badges and symbols in the depths of the soul and in their connection to the experience of battle, is the best guarantee for the worldview force and existence of the movement.

Taken from an article published at  
DER SCHULUNGSBRIF

 

Monday, June 29, 2020

THE TURNER DIARIES - A Prophetic Book


FIRST PHOTO : Cover of THE TURNER DIARIES. A novel written in 1978.
More info here: https://en.wikipedia.org/wiki/The_Turner_Diaries



SECOND PHOTO : 29th of June 2020. St. Louis - USA 
More info here: https://www.japantimes.co.jp/news/2020/06/29/world/white-couple-guns-protesters-st-louis/




The similarities are more than obvious. The world is heading towards in what described at The Turner Diaries.



Sunday, June 21, 2020

Bolshevism - Then and Now


BOLSHEVISM - THEN:


Saint Abraham of rostov destroys a statue of pagan god Veles 

Saint Demetrios destroy a pagan temple
 
  Saint Aemilianus, known for his destruction of ancient temples and libraries
Here he is shown using ropes to pull down a statue.
His followers are breaking up statues with picks and axes

BOLSHEVISM - NOW:













Monday, June 8, 2020

Reminisces of a Black Metal Revolt




Soon to be released by LOHENGRIN PRODUCTIONS
'Black Metal Media 1992-1994' Book


 The book is a comprehensive collection of around 600+ scans of Norwegian newspaper articles with important information translated to English. Currently there are 830 pages scanned but lots of doubles will be cut out.
More information later this month and pre-orders hopefully early next month.



SEE ALSO :