Wednesday, January 27, 2021

An Artist of The Frontline - The Works of Hans Liska

 HANS LISKA (1907 - 1983)

Austrian-born Hans Liska is one of the most well-known and prolific WWII Axis illustrators, who served with the German Armed Forces (Whermacht) during the war from 1940 to 1944.

In 1942 and 1943 German publishing house Carl Werner in Reichenbach, sponsored by Junkers Flugzeug und Motorenwerke AG, published 2 albums with Hans Liska's sketches and color illustrations "to please the frontline soldiers and the workers of the weapon factories" in Germany.

Liska convincingly demonstrates that he has an eye for the real war drama, with all its pain, suffering, desperation, hard work, endurance, sense of duty, and courage for yet one more push to the utmost, which all participants are likely to share, no matter under what colors they fought and died.

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Here are some photos of Liska in duty and also some of his scetches. 

More info, works etc about Hans Liska you`ll find at the end of this post.

At the frontline at Leningrad, October 1942
 
 
 
 
 



 




Info, photos and scetches taken from official Hans Liska website:
There you`ll find more about his life and several other of his works



Friday, January 22, 2021

The King in Thule - The Painting, The Poem and a Song

- The Painting -

- The Poem -

There was a king in Thule,
Was faithful till the grave,
To whom his mistress, dying,
A golden goblet gave.

Nought was to him more precious;
He drained it at every bout;
His eyes with tears ran over,
As oft as he drank thereout.

When came his time of dying,
The towns in his land he told,
Nought else to his heir denying
Except the goblet of gold.

He sat at the royal banquet
With his knights of high degree,
In the lofty hall of his fathers
In the castle by the sea.

There stood the old carouser,
And drank the last life-glow;
And hurled the hallowed goblet
Into the tide below.

He saw it plunging and filling,
And sinking deep in the sea:
Then fell his eyelids for ever,
And never more drank he!


 ...and a Song -

 


THE PAINTING:
Pierre Jean Van der Ouderaa - The King of Thule (1896)

THE POEM:
Johann Wolfgang von Goethe - Der König in Thule (1774)

THE SONG:
Taken from film FAUST (1960)

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 SEE ALSO:

Sturm und Drang

Faust's Arcadian Elegy

Tuesday, January 19, 2021

The Italian Cantos of Ezra Pound - Faith, Heroism and Deathskull's Return!

 

 

 "...A skull lies bleaching in the desert sand
& SINGS
Tireless, strident, sings, & sings, & sings:
– Alamein! Alamein!
We shall return!
We shall return!"


By the end of the year [1944] he had written Cantos 72 and 73 in Italian ... Full of vigor and images, exalting his old friends ... Marinetti, the founder of the Futurist movement, who, true to himself and his “interventism,” had gone to fight in Russia. And Admiral Ubaldo degli Uberti, whose phrase chi muore oggi fa un affare – untranslatable: dying today is a good bet – sums up the state of mind of the loyal Italians as defeat inevitably approached. Idealism and heroism were by no means all on the side of the partisans. [Pound] was infected by a desperate fighting spirit and faith. It is hard these days to define that faith or that spirit; it no longer seems a component of the air one breathe

Mary de Rachewiltz - Discretions (1971) 

 

 "...Where the skull sings our soldiers
Will return, those banners will come in."

SEE ALSO:

Ezra Pound (1885 - 1972) 

The Rider From a Dream

 Aesthetics of War

Friday, January 15, 2021

The Kantele That Sang for Ahnenerbe

 

A documentary film about Finnish student, Yrjö von Grönhagen, who decides to leave University of Sorbonne and walk from Paris to Helsinki in the spring of 1935. On his way, in Germany, he meets Heinrich Himmler, who is attracted by a traditional Finnish instrument, kantele. Himmler employs Yrjö as researcher to the Ahnenerbe institute to find the Aryan roots from the runic singing culture of Finnish Carelia.

 Source : akicederberg.com/  

PS. Unfortunately, at the moment the documentary is nowhere to be found online in its entirety. Perhaps a search in torrent will work...

 

SEE ALSO:

Heinrich Himmler - The Decent One


 

Sunday, January 10, 2021

The Other Side Speaks

 

"A Second World War historical documentary, following the story of French volunteers who signed up to fight for the Axis alliance. In a France, traumatised by such a rapid defeat, follow these youngsters in their unusual and very different journeys, which led them to volunteer for the Reich. Through previously unreleased interviews from some of the last survivors, relive their experiences, from the defeat of France in 1940 to the Waffen SS, from Resistance to the Charlemagne Division, from the maquis to the defense of Berlin..."

Thursday, January 7, 2021

Storm at The House of Treason

 

Lo, I hear the fighters coming
Over hill and dale and plain.
With battle cry of ages
In a Rebel World again.

Who'd forge their swords to plow-shares.
Shall sweat in bitter yokes.
The free-born race and fearless
Must deal out battle strokes

Thus Spoke Ragnar Redbeard



 

Wednesday, January 6, 2021

Unrepentant Beauty - Lady Diana Mitford Speaks...

"She was the nearest thing to Botticelli's Venus that I have ever seen"
James Lees-Milne


An interview with Lady Diana Mitford-Mosley about her wedding with Oswald Mosley, meeting Adolf Hitler, her time in prison and more....

 
 
More info about Diana Mitford here:





Sunday, January 3, 2021

The Tradition of Årsgång - Solitary Forest Wandering

 

     Årsgång is the Swedish tradition of a solitary, night-time walk in the forest.

Picture a dark, gloomy forest on a winter’s night, silent aside from the delicate crunch of crisp snow under your feet. Imagine being alone, without technology, far enough from your village that you couldn’t hear a rooster crowing or dog barking. You’ve spent all day in darkness, avoiding eating, drinking, or socializing, and told no one of your plans.

Now it’s midnight, the only things separating you from your objective are the woods and a handful of threatening creatures who want to lead you astray.

That is, according to folklore, how some adventurous Swedes have spent the first moments of a new year.

 
Participating in the ritual known as årsgång, or “year walk,”, promised information about the future—if a walker followed the rules and reached the local church or graveyard. This form of divination is recorded in documents dating back to the 1600s, according to a chapter by Swedish folklorist Tommy Kuusela in the anthology Folk Belief and Traditions of the Supernatural,* but many such records refer to it as “ancient,” making it unclear exactly when Swedish people began performing the ritual.

 

A Swedish Christmas Card showing St Lucia in the snow.

 Picture a dark, gloomy forest on a winter’s night, silent aside from the delicate crunch of crisp snow under your feet. Imagine being alone, without technology, far enough from your village that you couldn’t hear a rooster crowing or dog barking. You’ve spent all day in darkness, avoiding eating, drinking, or socializing, and told no one of your plans.

Now it’s midnight, the only things separating you from your objective are the woods and a handful of threatening creatures who want to lead you astray.

Årsgång is far from the only form of supernatural divination in Swedish folklore, but it is one of the more extensive. While rituals like circling the house three times counterclockwise with a porridge scepter before eating Christmas dinner were supposed to provide a limited glimpse of things to come, the year walker had the potential to learn not only his own fate but that of the entire village.

With greater reward, however, came greater risk.

The walk took place on New Year’s Eve or another winter holiday, when Europeans believed dark forces and supernatural beings were active and the dead mingled with the living. This let the walker tap into the prophetic power of the season, but it also meant opening oneself up to frightening encounters.

Cemeteries were particularly active. Walkers reported songs coming from open graves, dead spirits walking about, and fresh graves that did not exist before, according to Kuusela.

They could also expect to encounter frightening entities like the brook-horse (bäckahäst) and the huldra, as described in an account of årsgång added to the University of Southern California’s Digital Folklore Archives by student Cameron Steurer.

 
A brook-horse, from Swedish folklore. 

The brook-horse, she learned from a Swedish friend, would invite children to ride on it and lengthen its back to accommodate more and more children. “When the horse felt it had enough riders, it would jump into a body of water, drowning all of its riders and taking their souls for its own,” wrote Steurer.

The huldra, on the other hand, was a beautiful, tree-like nymph. “Said to be the forest guardians, they would lure people to their homes to either marry them or kill them,” Steurer wrote. “Either way, the victim would be lost forever.”

Other creatures did all they could to distract a year walker. Talking, laughing, or being afraid was forbidden during the somber walk, and those who broke these rules sometimes sacrificed their sanity, lost an eye, had their heads distorted, or simply disappeared, according to 18th-century records of failed walks translated into English by Kuusela.

READ THE FULL ARTICLE HERE