Aristogenesis - The Exploration of Ancestral Origins

 

By
NORDISK RADIO

 "Aristogenesis will explore the origins of our Aryan ancestors and follow their course from primeval times up to the dawn of history. We will examine our forefather’s myths and traditions as well as their religiosity and their understanding of the cosmos. We will attempt to shed light on the inner forces and ideas that drove the Aryans into creating the most enlightened cultures throughout history. We will seek our ancestral heritage beyond the monuments, the wars and the well documented paths of history and examine arts, symbols, legends and traditions in order to understand the authentic soul and spirit of our bloodline.

Our goal with the podcast is to introduce our listeners to the primordial wisdom of our ancestors and rekindle their interest to explore and study Aryan philosophy and spirituality as well as to investigate the foundations and peculiarities of our forefather’s psyche. We wish to evoke/raise our ancestral knowledge from the barren fields of academic secularism to a living idea that will help us navigate our perilous times and rediscover our Aryan identity and potentiality.

The opposition we face bears countless masks and disguises as it distorts the Truth and poisons everything Noble. The history of our people is twisted and falsified, our ideals and morals are being reversed and scorned, our myths degraded and mocked, our traditions ossified into inanimate folklore. Ancestral knowledge and spirituality are cast away as anachronistic and irrelevant while our people are becoming enslaved under the bond of spiritual, intellectual and psychological confusion. The link to our people’s primordial psyche is being severed as the voice of our ancestors becomes enigmatic and incomprehensible.

With a mature and willing attityd we shall attempt to gain valuable knowledge when examining our own (and our ancestors) faults and responsibility to why we now find ourselves in this onslaught of opposition. The malicious and malefic intent to devour everything that is Noble i.e. the spirit of our time shall quicken our awakening process as we learn about our ancestral Aryan historical, culture, genetic and psychological primordial wisdom through out time.

Henry Fairfield Osborn, Sr. (August 8, 1857 – November 6, 1935) an American paleontologist and geologist and a believer in orthogenesis (i.e. evolutionary progress of mankind) coined the term aristogenesis.

Osborn held the view that mutations and natural selection play no creative role in evolution but believed that aristogenes (aristocratic genes) operate as biomechanisms in the gene plasma of the organism which creates the novelty of the Aryans.'

 LISTEN THE PODCAST HERE

 

 

 

The Hellenic Wolf-God

 

Apollo the Wolf-God Monograph No. 8 — By Daniel E. Gerhenson
 

Daniel E. Gershensen uncovers a wide range of Apollo's links to wolves, wind-wolves, werewolves, and even to the ancient fraternities of human werewolves still remembered in parts of Europe into recent centuries. We read about the werewolf "army of the dead" that survived in Germanic folk lore as "the Wild Hunt," so faithfully recorded by the Brothers Grimm. Aristotle's Lyceum, or "wolf place", was so-named because it stood close to a temple dedicated to the wolf-god Apollo, who was also the god of knowledge. Even the English fairy tale about the Three Little Pigs, in which a wolf huff'd and puff'd to blow their houses down, is shown to be a survival from early beliefs about wind-wolves associated with Apollo in his capacity as a wind god.

"There is no doubt that the epithets of Apollo from the root lyk- are derived from the name of the wolf, and not from a root meaning "light"

 
Chapter titles in this revealing and well-documented study relate to:
 

Apollo and the Wolf;  

Evidence for the Wind Wolf;

 The Wolf-name in Toponymy; 

Heroes of Greek Myth who bear the Wolf-name or partake in its wider context;

 The Dolphin and the Wolf; 

The Wolf and Death; 

Werewolf-confraternities and wind evidence; 

The Stoic Explanation of the epithet Lykeios; 

The Trial of the werewolf named Old Thies, in 1691; Lykos and Lykeios

ISBN 0-941694-38-0

 

Source: Ancestral Europe

 

 

The Nordic Origins of Tolkien's Balrog

 

Tolkien's Balrog is based on Fire Ettins, described in Lokasenna stanza 42 as the sons of Muspell (fire) flying over Myrkvið (yes, Mirkwood, "The Dark Forest"). Even the name means "Fire Power" (Bál + Rök) in Norse.

Below: Surtr ("Black"), a Fire Ettin, wielding a flaming sword:

Lokasenna, 42:
Gulli keypta
léztu Gymis dóttur
ok seldir þitt svá sverð;
en er Múspells synir
ríða Myrkvið yfir,
veizt-a þú þá, vesall, hvé þú vegr.


In English:
You purchased
Gymir's daughter with gold,
and sold your sword:
when the sons of Muspell (fire)
ride over the dark forest (Mirkwood)
you, creep, don't know what to fight with.


Varg Vikernes - November 2020
Source : MyFaRog Twitter

SEE ALSO:
A Meeting of Giants
Tolkien's Middle Earth - A Historical Resemblance
Wolfhead, Tolkien and The Primal Fear of Man

 

David Irving's "True Himmler" Part I Book Is Out Now!

 

 "TWENTY years in the making, David Irving's biography of Heinrich Himmler, the man, is finally ready. In two parts, the first of which appears now, Irving describes from true documents the origins of Himmler, an educated man with a Classics teacher as his revered father, and his extraordinary career until the final dramatic hours of his life, raising an army of elite SS soldiers and men to stand for Germany and defend it against the secret Soviet plans to invade all of Europe in 1941. He becomes a most trusted ally of Adolf Hitler, and remains loyal to the end; when he hears of Hitler’s imminent death Himmler takes steps to contact the western Allies and offer them the assistance of the SS against the mighty Russian army. But the western capitals are by then powerless, sucked too far into the Soviet thrall.
 
Why twenty years? It has not been easy – or inexpensive – to retrieve the thousands of missing private papers, letters and diaries which vanished into unfriendly hands at the end. Mr Irving, already the finder of other secret records surrounding Hitler, identifies the current holders of scores of private letters – partly American, partly Israeli, their identities now oddly concealed by Germany newspaper editors and historians still wilting under the glare of the draconian Morgenthau Plan. (Mr Irving published a facsimile of the secret Plan from Oxford University archives). He uses secret British intercepts of SS messages, as well as Reinhard Heydrich’s papers and KGB files in Moscow archives.
 
The reputation of his young soldiers was systematically denigrated on the age-old principal Give a dog a bad name and hang him. Mr Irving’s suspicions, spelled out in the first and second part, are that Germany's enemies saw in the SS such a formidable enemy, and in Himmler such a formidable man, that they tracked him tracked down after the war ended, where his life was terminated; the very first chapter examines the circumstances of Himmler’s “suicide” more closely..." 
 
Available from FOCAL POINT PUBLICATIONS (Click on the name)

SEE ALSO:
David Irving's Himmler is Coming!

The War of All Against All

 

 “The coming years will prove increasingly cynical and cruel. People will definitely not slip into oblivion while hugging each other. The final stages in the life of humanity will be marked by the monstrous war of all against all: the amount of suffering will be maximal.”

PENTTI LINKOLA - Can Life Prevail? 

SEE ALSO:
THE COURSE OF EMPIRE - A Painting Series about The Rise and Fall of Civilization

The Knight At the Crossroads

The Knight At The Crossroads (1878)

By

Victor Vasnetsov

    Viktor Vasnetsov's The Knight at the Crossroads, painted in various incarnations between 1878 and 1882 is a world of myth, legend, and nation-building iconography from the supreme Russian Symbolist painter. Vasnetsov featured prominently in the popular mindset of nineteenth century Russian visual culture, combining a fantastical thematic approach with the realist principles of the contemporary Peredvizhniki movement. One of his best known canvases, The Knight at the Crossroads is an imagined reproduction of the chivalrous warrior of medieval folklore literally caught solemn at the crossroads of his journey. Although not achieving critical acclaim, Vasnetsov's work remained prevalent through his illustrations of fairy tale compilations, and The Knight at the Crossroads is one such example of his populist creations. However, it was not until the mid-1880s that Vasnetsov, adopting a more religious approach to his choice of themes, would attract the attention of the famous collector Pavel Mikhailovich Tretyakov.

First produced to illustrate an edition of Kievan Rus' oral epic 'Ilya Muromets and Robbers', The Knight at the Crossroads, the artist produced this oil reproduction for the noted industrialist and patron of the arts, Savva Mamontov. Removing the winding road and hiding the face of the forlorn rider, this second version is suffused with a melancholic despair at the fate of the knight. The utter lack of choice ahead of the rider is made more bitter by the inscription on the milestone which reads: "If you go left, you will lose your horse. If you go right, you will lose your head". An imagined reproduction of the most famous of all the bogatyr knights, Vasnetsov's contemplative rendering of Ilya Muromets is staged like an actual historical event. Such was the emotional charge and popularity of such epics; for the Russian people they were as relevant as history itself.

Source: 1st-art-gallery.com

 Life and Bio of the artist: https://en.wikipedia.org/wiki/Viktor_Vasnetsov

 

 

    

Hymn to The Fallen of November 9th

 

 

You dead heroes
Never were you nearer to us —,
Reminder, call, prayer —
As now when the Grim Reaper
Stands before us.
Never were you so necessary to us.
Towers in the storm of care.
Never were you as alive to us.
We are as acquainted with you as we are with death.
We listen for the call. And we hear
In the night, when all is silent
Your voices. They warn, they swear:
Not only victories! The victory!
As our flags sink
God goes as the wind through the field.
All our thanks and thoughts
Become deed. 

 

 GERHARD SCHUMANN

-

Who Was Gerhard Schumann

SEE ALSO:

The Putsch of 9th of November 1923