Tuesday, March 25, 2014

Karl August Krazeisen : A Soldier-Artist in The Hellenic War of Independence



Karl August Krazeisen (1794 - 1878) was one of the many volunteers who took part in Hellenic revolution of 1821 against the Turks and their allies. In Hellas , the volunteers that stand in the side of Hellas are called Philhellenes (Click the word to see more info). What makes Karl A. Krazeisen special is that except an officer , he was also a very good artist. A painter that in the pauses between the battles, he was asking and finally managed to make many portraits from the most known Hellenic warriors and fighters of that time. 

For more about his life and pictures of this portraits click HERE

Also , here is parts from an interview in a local newspaper that the curator of the National Gallery speak about K.A. Krazeisen and his works during an exhibition that took place in Hellas in 2005.

What are you presenting in the Nafplion exhibition?

The portraits of the 1821 war heroes, lots of portraits of
philhellenes, poets, writers, as well as drafts of ethological scenes
in Aegina and Ambelakia.
Kratzeisen also drew the two new vessels that had been acquired by the
Greek fleet at a difficult time: the frigate Hellas and the steamship
Karteria. The officer himself never signed his works, which means that
had his family not decided to sell them to Greece, we would not have
known who the artist was. His signature appears only on works he drew
in 1931 in Munich. More specifically, Kratzeisen's brother-in-law
offered to sell the works which he had held on to, aware of their
great worth. He was a professor of Romanian descent who decided to
approach [[Nikolaos] Gyzis, who was also a professor in Munich. When
the painter saw the works, he immediately realized that they had to be
acquired by the Greek state.

Are there any portraits of our independence heroes by other artists?

Kratzeisen was the only one who depicted the freedom fighters. The
difference is clear if one sees the works of other artists who had
imagined the war heroes based on related readings. [The freedom
fighters] Odysseus Androutsos, Papaflessas and Marcos Botsaris all
qualify for this category, as they had already died and weren't
depicted by the Bavarian but by other artists who tried to imagine
what they looked like. In his well-known painting «Grateful Greece,»
Gyzis presented a series of freedom fighters based on Kratzeisen's
works, as well as other figures who are the result of his imagination.

What kind of a character was Kratzeisen?

He lived and grew up during the romantic period of liberation
movements. Although we don't know too much about his artistic
education, we do know that he drew all the time. He had also served as
a fashion designer for the Russian army, meaning he designed its
attire. Kratzeisen joined the army, a vocational choice that offered
security, considering that, historically, this was the post-Napoleonic
era. A Bavarian, but also a philhellene, he decided to come to Greece
and fight on the side of the struggling populace. He took off with an
expeditionary force established by the Bavarian leader Ludwig I. The
force's objective was to train Greece's new army. It is certain that
he was intelligent and had grasped that he was living an historic
moment. He must have been on the alert constantly, and both drew and
took part in battles.

He made the fighters sign the portraits?

The signatures are a sign of authenticity. They also show who was
better educated by the way they signed their names.The signatures also made it to the lithographs, providing historians with information. [Georgios] Karaiskakis, for example, died before
Kratzeisen managed to complete his portrait.In it, one can see that he suffered from tuberculosis and was downcast. But his gaze remained intense and Kratzeisen depicts him
with fiery eyes.

Apart from the drawings, did the Bavarian leave behind any writings?

He didn't leave us any memoirs and didn't keep notes... Kratzeisen's hand does not make mistakes. He had a good eye and talent.
He portrays the individuals, not the battles, knowing that portraits enchant and condense history.


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Tuesday, March 18, 2014

THE DAILY STORMER - The World News from a Racialist Point of View




THE DAILY STORMER is in my opinion one of the best and most informative websites around. A good and realible source for news from around the world. Daily updates plus several good historical articles , videos and radio.

Official website:

Thursday, March 13, 2014

The Knight And Death


Nikos Gatsos is poet and writter with a name quite well-known in Hellas. Even now , before write these words , from a quick view that i had to his biography, i doubt that his works will ever be of any intrest to me.
However, some months ago i found a poem , that when i saw that it is signed by him , i was wondering if its the same person or just a synonym. I found this poem great as it is based and inspired by
 Albrecht Dürer`s famous painting RITTER TOD UND TEUFEL. Amidst the miserable, grey and utterly boring poetry of post-WW2 writters. This poem is for sure an exception. 

Also, after the poem i added notes to some references that the readers outside Hellas might not understand.



THE KNIGHT AND DEATH (1513)

Just so, I see you motionless
traveling through the years with the horse of Akritas(1) and the lance of Ai-Giorgi(2)
I would put beside you
with the dark shapes that stand eternally beside you
until a place where you are extinguished eternally with them
until you become a fire in the great Chance where you were born
I would put beside you
an orange from the snow-covered fields of the moon
I would unfold for you the veil of an evening
with red Antares(3) singing of the young men
with the River of Sky overflowing into August
to weep with the North Star and freeze
I would spread out meadows
waters that never watered the lilies of Germany
and I would ornament the iron you wear
with a sprig of basil and a handful of mint
with the arms of Plapoutas(4) and the sword of Nikitaras(5)
But I, who saw your descendants like birds
split open on a spring day the sky of my country
and I saw the cypress trees of the Morea(6) stop breathing
there on the fields of Nauplion(7)
before the waiting embrace of the wounded sea
where the eons wrestled with the crosses of gallantry
I would place now beside you
the bitter eyes of a youth 
and the closed eyelids
in the mud and the blood of Holland.

This dark land
will someday become green again
The iron hand of Götz will overturn the caissons 
It will mound them with sheaves of barley and rye
And in the dark oaks with the dead loves
there where time turned a young leaf to stone
in the breasts where trembled a tear-stained rose 
a star will shine silent as a spring daisy

But you will remain motionless
with the horse of Akritas and the lance of Ai-Georgi you will travel through the years
a restless hunter from the race of heroes
with those dark shapes that stand eternally beside you
until a day when you will vanish eternally with them
until you become again a fire in the great Chance where you were born
until in the caves of the river
the heavy hammers of patience resound again
not for ornaments and swords
but for pruning hooks and plows.

Nikos Gatsos 1947


NOTES
1. Akritas. Soldier belong in a military class responsible for guarding the borders of the empire during the Byzantine times

2. St-George

3.Red Antares. For more info see here 

4. Plapoutas. Greek hero of the revolution against the Turks in 1821

5. Nikitaras. The same like 4

6. Morea. The name in the middle ages of Peloponnese. Region in South Hellas.

7. Nauplion. Historical city in South Hellas. The first capital of Hellas after the revolution of 1821.



Saturday, March 8, 2014

COUNTESS New Album to Be Released in the 9th of April



On April 9, Dutch Black Metal legends COUNTESS will release their long-awaited new full-length album, entitled ‘Ancient Lies And Battle Cries' through the band's long-time label Barbarian Wrath.


"Ancient Lies And Battle Cries", the band's fourteenth full-length, features ten tracks of uncompromising METAL, blending first wave Black Metal and traditional Heavy Metal in a way only COUNTESS can. The result of almost three years of writing and recording, 'Ancient Lies' will surely satisfy all those who long for the days when Black Metal was still METAL.


Fans can get a first taste of the new record as of today. A video has been released for the song 'Call Of The Ancient Pantheon' through the band's official YT channel:



The album's full track list:
1. Battle Sky
2. Call Of The Ancient Pantheon
3. By Hammer And Blood
4. Vengeance Of The Slain
5. Beneath The Eye Of Wisdom
6. Confessions Of A Polytheist
7. Pray For The Cult
8. Cursed Seed Of Aten
9. Burn The Throne
10. The Last Temple



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Monday, March 3, 2014

Wednesday, February 26, 2014

Mammon - King of The Modern World



“The Cathedrals were built to the glory of God; New York was built to the glory of Mammon.”



Article by FRANCES FOWLE


George Frederic Watts, in common with such social commentators as William Morris, Ruskin and Carlyle, began to question the benefits and purpose of modern industry and commerce and their dehumanizing effects. In 1880 he wrote: 

“Material prosperity has become our real god, but we are surprised to find that the worship of this visible deity does not make us happy.” 
G.F. Watts “The Present Conditions of Art”

Four years later he decided to personify this so-called deity, the evil “Mammon”in paint.


The picture is nearly life-size and the seated figure against a curtained backdrop calls to mind the portraits of Titian. However, instead of an established figure or celebrated beauty, Watts depicts an object of revulsion, seated on a throne decorated with skulls. Just behind the curtained background we are offered a glimpse, not of a peaceful landscape, but of fire and destruction. The picture is painted in a rich, almost hellish palette of red, gold and black. Watts visualizes Mammon as a brutish despot: an ugly, lumpen figure seated on his throne, nursing his moneybags on his lap. The ogre brushes aside a beautiful girl with one hand, and crushes a young man under foot. Both are symbols of youth, innocence and beauty; yet, naked and vulnerable, they are also lifeless and inert. Mammon sits in glory with his 
“gorgeous but ill-fitting golden draperies, which fall awkwardly about his coarse limbs”
M.H. Spielmann “The Works of Mr. George F. Watts, R.A., with a Complete Catalogue of his Pictures,” Pall Mall Gazette 1886

In the oil study (Watts Gallery, Compton), Watts also gives Mammon a bandaged, gouty foot, a symptom of his indulgent and excessive lifestyle.

Mammon’s crown, with its upended gold coins and ass’s ears, symbolizes Mammon’s ignorance and stupidity, but also links him with Ovid’s King Midas, whose touch turned everything to gold and to whom Apollo gave ass’s ears because he did not respond to the music of the lyre. The best-known literary reference to Mammon occurs in Spenser’s Faerie Queene, book II, canto 7. Spenser describes Mammon as tanned by soot from the blacksmith’s forge, a detail that perhaps accounts for the smoke on the right hand side of the painting.

The subtitle of the picture Dedicated to his Worshippers is like an inscription on a monument. Watts apparently had plans to commission a sculpture of Mammon which would be set up in Hyde Park and “where he hoped his worshippers would be at least honest enough to bow the knee publicly to him.”

George Frederic Watts - Self protrait 1864





Tuesday, February 18, 2014

ADOLF HITLER - The Greatest Story NEVER Told!





"Originally released online in a series of 15 minute episodes, this fascinating look into Adolf Hitler and World War Two told from the German perspective, quickly became the most sough-after documentary on the internet. You will NOT see this on the History Channel.
This 25 Part epic, in systematically dismantling some 70 years of Allied propaganda, was inevitably banned in a concerted attempt to hide the truth from the general public. Many who viewed this documentary found the experience to be totally life-changing.


In over 6 1/2 hours of facts meticulously documented, expect a range of emotions from shock and disbelief to sadness and anger.
Adolf Hitler - The Greatest Story NEVER Told! is the first-ever truthful account of World War Two, the players involved and those responsible for what is probably the greatest ever cover up. You will see the true face of the War's instigators, it's victors and how they continue their deception to this day. You watch... You decide.

Since the mid-20th century, the world has only ever heard one side of an incredible story.  The story of a boy from an ordinary family whose ambition it was to become an artist, but who instead became a drifter.
His destiny however was not to drift into the awaiting oblivion, but to rise to the greatest heights of power, eventually to become one of the most influential men who ever lived.

Now for the first time, here is a documented account of a story many believe to be…

The Greatest Story NEVER Told!




Learn the untold story about the most reviled man in history.  Adolf Hitler, The Greatest Story Never Told is a 6-hour Documentary by TruthWillOut Films.
This ground-breaking documentary chronicles the rise of Germany from defeat in World War I, to communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery, and Adolf Hitler’s rise to power.

It also reveals a personal side of Adolf Hitler: who he was, his family background, his artwork and struggles in Vienna and what motivated him to come to power.
There’s so much hidden history to recount; FDR Pearl Harbor conspiracy, Soviet brutality, betrayal and treachery on all sides. Do we really know the true cost of war? Do we really possess all the facts?
Watch this series and uncover the real root causes of World War II.  Do your own research and decide what you choose to believe. Think differently."