29th July 1913 - 29th July 2013 : Captain Erich Priebke , Happy Birthday!

For more info on Erich Priebke check these links:

Interview with Erik Priebke

http://www.erich-priebke.de/

Campaign for Erich Priebke`s Freedom

Golden Dawn International Newsroom

Golden Dawn International Newsroom is a blog that created by a Golden Dawn supporter in order to spread the party`s news to non-Hellenic comrades and supporters from all around the world. The guy who runs this page, takes articles from the main Golden Dawn website and translate them into english. Therefore whatever you see there is 100% official.

The Blog address is : http://golden-dawn-international-newsroom.blogspot.gr/

200 Years Richard Wagner - Part I

2013 marks 200 years since the birth of the greatest Classical composer of all times : 
RICHARD WAGNER.

So untill the end of this year i plan to do a series of posts with Wagner-related themes.

The first one is the documentary "In The Eye of The Ring"

"An amazing Introduction to the world of symbols in Richard Wagner's "The Ring of the Nibelung". Also, the documentary breaks down and reveals all the Leitmotiv's, characters, scenes, plots, metaphors, mythology, and names in Wagner's Ring Cycle. Illustrations mainly by Arthur Rackham and music conducted by Jeffrey Tate and The National Orchestra of France.

Actually...this is way more than an introduction!"

Previously Related Posts:

Tony Palmer`s "WAGNER"

A view in The Life of The Monarch of Bayreuth

Cola Di Rienzo - The Unknown Roman Revolutionary Hero

In That Hour It Begun

At War Against The Logic of The Herd

For years i oftenly keep hearing people within the Nationalist movement (Or people who doesn`t get involved for the same reason) to complain about how the masses doesn`t revolt (Or follow by thousands those who are willing to do so) against the zionist tyranny that put our Europe more and more under its claws. To be honest,  in the past oftenly i used to whine too for the same reasons. Thanks that by reading the basics of European history , i quickly realized that that in times of danger and turmoil, duty is an unknown word to most, except to a determined minority who defy and endanger everything in service of a greater cause. These people are our examples and in their footsteps we want to walk, and not the modern, bourgeois herd-man. I hope more and more of our fellow kinsmen will realize that before its too late and our Europe will be nothing but a distant memory.

Few weeks ago i watched the 3rd season of Game of Thrones. Except few things here and there (nice soundtrack, intresting landscapes and a couple of intresting characters) those series is a truly overated crap. Getting more boring in every season. But truth to be said, in one of the episodes i came across of one of the best phrases i heard in a long time. What i described above is perfectly captured in just five words that "Tywin Lannister" said. Forget the sureal scene of how a man can have a serious talk with a dwarf. The words did the impression not whom said to whom.

"Jugglers and singers require applause"

"Nowhere else is his pride more obvious than in the way he curries out the so called ideological fights. He never aims to win. What does it mean to win? His believes to be accepted? A tragedy! He knows very well what it cost him to acquire them, what boldness it requires -"sapere aude", says the ancient poet -, and what kind of inner maturity it requires. Thus he is more worried rather than glad for him who embraces his ideas by force or as a result of a short conversation. Maybe in order to find himself supporters? It is true that many feel the need to propagandize their ideas as if fearing that they are not correct without the affirmation of the others, the more the better. The Heroic man knows very well it is not the content of the ideas that really matter, but the spiritual might through which he conquered and holds them, not what you believe but how do you believe in it. He knows that your fundamental, vital convictions (believes) are controlled by your Destiny, and not the other way around and your Destiny is something profoundly personal, you cannot borrow it nor lend it. Thus when he defends his ideas he doesn't do it in order to impose them but in order for himself to remain who he is. And remaining who he is exactly what the others see as an act of war. His existence and only arouses hatred, he needs only to describe himself to evoke antipathy (dislike) -this is how great a part of the future he represents! Because the future is dark and most people are afraid of the dark, and fear turns into dislike…"

IOANNIS SIKOUTRIS "Heroic Way of Life"

News From The Underground Front

SATANACHIST upcoming releases

The warrior disdains luxury and comfort as things disgraceful and negative to health.

“Not only our reason but our conscience bows to our strongest drive—the tyrant in us”.

124 yf

Official SATANACHIST Facebook

BRANIKALD (Rus) "Ravished by the Battle of Things" 2013

Available HERE

Official SPEAR OF LONGINUS Merchandise:

Black Sun Society

COMBAT (Pol) CD coming soon on Darker Than Black/Witches Sabbath Records

Future releases from IG FARBEN PRODUCTION

In Memory of Dominique Venner

Previously related post : The Self Sacrifice of Dominique Venner

Tribute to Dominique Venner

By Alain de Benoist

Translated by Greg Johnson

"The reasons for living and the reasons for dying are often the same. This was definitely the case for Dominique Venner, whose gesture aimed at bringing his life and death into deep accord. He said he chose to die in the way that was the most honorable in certain circumstances, particularly when words become powerless to describe, to express what we feel. Dominique Venner ultimately died as he had lived, with the same will, the same lucidity. Most striking to all who knew him was to see how the whole trajectory of his existence is a pure and right line, a perfectly straight line of extreme righteousness.

Honor above Life

The gesture made by Dominique Venner is obviously a move dictated by a sense of honor, honor above life, and even those who, for personal or other reasons, oppose suicide, even those who, unlike me, do not find him admirable, must have respect for his actions, because we must have respect for all that is done from a sense of honor.

I am not talking about politics. By July 1967, Dominique Venner had definitely broken with any form of political action. He was a careful observer of political life, and of course he made his feelings known. But I think that what was essential for him lay elsewhere, as amply shown by many things already said today.

Dominique Venner put ethics above all, and this was already his view as a young activist. It remained so, when gradually the young activist turned into a historian, a meditative historian, as he said. Dominique Venner was quite interested in the Homeric texts, the Iliad and the Odyssey, in which he saw the founding of the great immemorial European tradition, primarily for ethical reasons: the heroes of the Iliad never teach moral lessons, they give ethical examples, and ethics is inseparable, of course, from aesthetics.

The Beautiful Determines the Good

Dominique Venner was not one of those who believe that the good determines the beautiful, he was one of those who think that the beautiful determines the good; he believed that ethical judgments that focus on men are not so much based on their opinions or ideas, but are a function of their greater or lesser qualities of being, and first and foremost the quintessential human quality that he summed up in one word: comportment.

Comportment

Comportment, which is a way of being, a way of life, and a way of dying. Comportment which is a style, the style of which he spoke so beautifully in The Rebel Heart, a book published in 1994, and, of course, in all his works, and I think especially in the book he published in 2009 on the German writer Ernst Jünger. In this book, Dominique said very clearly that if Jünger gave, and gives, us a great example, it is not only through his writings, but also because this man, who had a long life and died at the age of 103, never failed the demands of comportment.

Dominique Venner was a secretive, attentive, demanding man—demanding of himself first of all. He had somehow internalized all the rules of comportment: never let go, never give up, never explain, never complain, because comportment (tenue) brings to mind and derives from reserve (retenue). Obviously, when we talk about such things, we must seem like men from Mars to many dwellers in this age of smartphones and Virgin Megastores. To speak of equanimity, nobility of soul, high-mindedness, comportment, is to employ words whose very meanings escape many, and this is probably why the Philistines and the Lilliputians — those who write these parochial newsletters for right-thinking people that the mainstream media have become today — were unable for the most part to comprehend the very meaning of his gesture, which they tried to reduce to petty considerations.

A Way of Protesting Against the Suicide of Europe

Dominique Venner was neither an extremist nor a nihilist, and, above all, he never despaired. Indeed, his long reflections on history led him to develop a kind of optimism. He held that history is unpredictable and always open, that it both makes men and is made by men. Dominique Venner rejected all fatalism, all forms of despair.

I speak paradoxically, because it has not been sufficiently noticed, that his desire to commit suicide was a way to protest against suicide, a way to protest against the suicide of Europe which he observed for so long.

A Suicide of Rational Hope as a Founding Act

Dominique Venner simply could no longer stand the Europe he loved, his homeland, fading bit by bit from history, forgetful of herself, forgetful of her memory, her genius, her identity, somehow drained of the energy for which she was known through the centuries. Because he could not stand the suicide of Europe, Dominique Venner opposed his own, which he was not suicide of collapse, of resignation, but rather a suicide of hope.

Europe, said Dominique, is in dormition. He wanted to awaken her. He wanted, as he said, to rouse slumbering consciences. We must be very clear on this point: there was no despair in Dominique Venner’s gesture. There was a call to act, to think, to continue. He said: I give, I sacrifice the rest of my life in an act of protest and foundation. We must, I think, hold onto his word “foundation.” This word “foundation” was bequeathed to us by a man whose last concern was to die standing.

A Western Samurai

Dominique Venner was not nostalgic, but he was a true historian who was interested, of course, in the past with a view of the future; he did not study the past as solace or shelter; he simply knew that peoples who forget their past, who lose all consciousness of their past, are thereby deprived of a future. You can’t have one without the other: the past and the future are two dimensions of the moment, neither more important than the other: dimensions of depth.

And in this process, Dominique Venner remembered, of course, a number of memories and images. He remembered the Homeric heroes and gods; he remembered the old Romans, those who preceded him on the path of voluntary death: Cato, Seneca, Regulus, and many others. He bore in mind Plutarch’s writings and Tacitus’ histories. He had in mind the memory of the Japanese writer Yukio Mishima, whose death in so many ways is similar to his own. And it certainly is not a coincidence that his last book, that will soon appear from Pierre-Guillaume Roux, is called A Western Samurai: a Western samurai!

And on the cover of this book, A Western Samurai, we see an image, a print, a famous engraving: “The Knight, Death, and the Devil,” by Albrecht Dürer. Dominique Venner deliberately chose this engraving. Some time ago, Jean Cau devoted to the character of the knight a wonderful book that also bore the title: The Knight, Death, and the Devil. In one of his latest columns, written just days before his death, Dominique Venner paid tribute to this very knight who, he says, on highways and byways, will continue always onward toward his destiny, toward his duty, between death and the devil.

“The Knight, Death, and the Devil”: Engraved by Dürer in 1513

And in this column, Dominique Venner spoke of an anniversary. It was in 1513, 500 years ago exactly, that Dürer engraved this print “The Knight, Death, and the Devil,” and this emphasis gave me a very simple idea that anyone could have: I looked up the dates of birth and death of Albrecht Dürer, the man who engraved “The Knight, Death, and the Devil,” 500 years ago exactly, and I realized that Dürer was born in 1471; he was born May 21, 1471. Dürer was born on May 21; Dominique Venner chose to die on May 21. If this is a coincidence, it is extraordinary, but one is not forced to believe in coincidences.

The Rebel Heart Will Always be There

That’s what I wanted to say in memory of Dominique Venner, now departed on a great wild hunt, in a paradise where you can see the wild geese fly. Those who knew him, and I knew him for 50 years, those who knew him will probably say that they have lost a friend. But I think they are wrong. On the contrary, I believe that they should know that, since May 21, 2013, at 2:42 p.m., he will necessarily always be there. Still there alongside the rebellious hearts and free spirits who have always faced the eternal coalition of Tartuffes, Trissotins, and Torquemadas."